still/here
A masterpiece of American avant-garde cinema, Christopher Harris’s 2000 thesis film is a haunting record of the crumbling, eerily depopulated landscapes of St. Louis’s north side, an area almost exclusively inhabited by working-class and working-poor African Americans. Shooting in evocatively ghostly black-and-white 16 mm, Harris crafts an at once sorrowful and searching study of urban decay that speaks pointedly to America’s history of racial injustice.A masterpiece of American avant-garde cinema, Christopher Harris’s 2000 thesis film is a haunting record of the crumbling, eerily depopulated landscapes of St. Louis’s north side, an area almost exclusively inhabited by workin... Read more
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