IMDb RATING
5.6/10
1.1K
YOUR RATING
Can Dare Rudd prove he is responsible enough to win the heart of Judy and also outwit the crooked saloon owner?Can Dare Rudd prove he is responsible enough to win the heart of Judy and also outwit the crooked saloon owner?Can Dare Rudd prove he is responsible enough to win the heart of Judy and also outwit the crooked saloon owner?
Johnny Mack Brown
- Tom Fillmore
- (as John Mack Brown)
Johnny Boyle
- Sam
- (uncredited)
James Craig
- Brady
- (uncredited)
Jack Daley
- Card Player
- (uncredited)
Earl Dwire
- Cowhand
- (uncredited)
Al Ferguson
- Bartender #1
- (uncredited)
Jack Kennedy
- Sheriff Pete Starr
- (uncredited)
Nick Lukats
- Jim Fallon
- (uncredited)
Art Mix
- Trail Hand
- (uncredited)
Vester Pegg
- Bartender #2
- (uncredited)
Lee Prather
- Lightning Rod Salesman
- (uncredited)
Storyline
Did you know
- TriviaDue to a studio clerical error, Alan Ladd was credited for an appearance in this film as an "Inspector". He does not, in fact, appear in it and there is no "Inspector" involved in the story. However, his name is included in 13th position in the credited cast published by Weekly Variety 16 March 1938, and this information was erroneously picked up by the American Film Institute Catalog of Feature Films 1931-1939. By the time it was re-released, Ladd had become a prominent and popular player, so his name was likewise prominently displayed, often receiving equal billing right along with John Wayne, not only on all the re-titled advertising material, but also in most television program schedules once telecasts began.
- GoofsAs Tom tells Lyn that Dare is the new manager, the portrait of George Washington on the wall behind, appears and disappears between shots.
- Quotes
Tom Fillmore: Why don't you get married and settle down? Why, you're running around like a maverick without a brand on.
Dare Rudd: Well, I don't like branding. It hurts in the wrong place.
- ConnectionsFeatured in Tumbleweed Theater: Hell Town (1985)
- SoundtracksRed River Valley
(uncredited)
Traditional
Featured review
I am giving this film ten stars, not because it is a great film (although it is one of the best of its type), but because it is a remarkably important transitional film for one of the real originals of American cinema, John Wayne.
This is one of the last of the many 'Saturday matinée' potboilers Wayne acted in for a half-dozen marginal studios during the 1930s; two years later, Ford would give him the big break of his career in "Stagecoach".
Unlike the other potboilers he appeared in, "Hell Town" (aka "Born to the West", although I have never seen a print with that title on it) is well-written, well-directed, nicely photographed, and well-acted by all involved (but especially Johnny 'Mack' Brown) - surprising quality for a cheapie, but I suppose the fact the story it derived from had been written by Zane Grey - already a legendary Western writer - probably impressed cast and crew to make a best-effort presentation here. At any rate, the film, under 55 minutes long, has the look and feel of a feature-length Western of the time, and it survives far better than any other of the Western shorts of the period.
The story is solid, with relatively serious overtones concerning the possibility of redemption. Wayne's character, a gambling addict, is rightly transformed when he discovers that his cousin is a better gambler than he is, but just prefers not to gamble.
Wayne himself is in top-form for the period. All the little gimmicks and gestures we associate with him are here in a way never seen in any film of his before this - his cautious smile, his frown, his ability to strike a pose leaning his weight on one leg, his soft but firm voice of warning, his ability to face a tough situation with grace and even, one must admit, an oddly noble humility. This is no longer the "Singing Mesquiteer" of the earlier potboilders, this is finally the Duke, who would star in "Stagecoach" and lead an army of fans (including myself) through film after film for four more decades.
This is where the filmography of John 'Duke' Wayne rightfully begins - a film that has survived well, and may yet survive a few decades more.
(Note: in another film made the previous year, Winds of the Wasteland, Wayne can also be seen coming into his own as an actor; but this is the better film.)
This is one of the last of the many 'Saturday matinée' potboilers Wayne acted in for a half-dozen marginal studios during the 1930s; two years later, Ford would give him the big break of his career in "Stagecoach".
Unlike the other potboilers he appeared in, "Hell Town" (aka "Born to the West", although I have never seen a print with that title on it) is well-written, well-directed, nicely photographed, and well-acted by all involved (but especially Johnny 'Mack' Brown) - surprising quality for a cheapie, but I suppose the fact the story it derived from had been written by Zane Grey - already a legendary Western writer - probably impressed cast and crew to make a best-effort presentation here. At any rate, the film, under 55 minutes long, has the look and feel of a feature-length Western of the time, and it survives far better than any other of the Western shorts of the period.
The story is solid, with relatively serious overtones concerning the possibility of redemption. Wayne's character, a gambling addict, is rightly transformed when he discovers that his cousin is a better gambler than he is, but just prefers not to gamble.
Wayne himself is in top-form for the period. All the little gimmicks and gestures we associate with him are here in a way never seen in any film of his before this - his cautious smile, his frown, his ability to strike a pose leaning his weight on one leg, his soft but firm voice of warning, his ability to face a tough situation with grace and even, one must admit, an oddly noble humility. This is no longer the "Singing Mesquiteer" of the earlier potboilders, this is finally the Duke, who would star in "Stagecoach" and lead an army of fans (including myself) through film after film for four more decades.
This is where the filmography of John 'Duke' Wayne rightfully begins - a film that has survived well, and may yet survive a few decades more.
(Note: in another film made the previous year, Winds of the Wasteland, Wayne can also be seen coming into his own as an actor; but this is the better film.)
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- How long is Born to the West?Powered by Alexa
Details
- Runtime49 minutes
- Color
- Aspect ratio
- 1.37 : 1
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