Unrelated

After his mother wakes from a coma in 1990, a young man goes to great lengths to pretend East Germany still exists in this wonderfully bittersweet tragicomedy.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

Chantal Akerman's adaptation of Marcel Proust’s The Prisoner is a beguiling study of tortured relationships, voyeurism and possessive love.

Surrounded by unpacked boxes, a man delivers an extended monologue on indecision and regret.

Twenty-five years old and newly restored, Gary Oldman’s BAFTA-winning debut as writer-director remains a magnificent achievement.

Mark Jenkin follows Bait with this chilling, endlessly mysterious folk horror tale, beautifully shot on grainy 16mm.

Peter Brook’s Palme d’Or-nominated adaption of the classic novel by William Golding.

A closeted PE teacher reckons with her identity during Thatcherite Britain in Georgia Oakley’s delicate yet gripping BAFTA-nominated debut.

Set in London at the turn of the millennium, Reggie Yates’ hilarious debut feature takes us on a journey back to New Year's Eve 1999, reviving memories from the 90's garage scene and Moschino fashion for pure nostalgic cinematic joy.

Following his supernatural sojourns, Suspiria and Inferno, Argento steps back into the real world for a blood-soaked tale of murder and meta-textuality.

Joanna Hogg's enthralling ghost story, featuring an astonishing performance by her regular collaborator Tilda Swinton.

Sight and Sound's 2019 film of the year is the compelling, semi-autobiographical drama from acclaimed writer-director Joanna Hogg.

After his mother wakes from a coma in 1990, a young man goes to great lengths to pretend East Germany still exists in this wonderfully bittersweet tragicomedy.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.